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If applied to our own time and extended to what we think our society might be like in a generation jackson or so, what does this element of transgressiveness presage for Halloween''s future meaning or appeal? The question assumes the presence of a fairly clear and resilient set of cultural values against which Halloween practices can be seen as reactions. But our culture''s familiarity with a common church year; common halloween customs and common rituals is costumes not what it once was. If our cultural consensus has been eroded by a rising tide of consumerism and diminished by the blurring of cultural identities, the holiday''s transgressive possibilities may soon be depleted.

If applied to our own time and extended to what we think our society might be like in a generation jackson or so, what does this element of transgressiveness presage for Halloween''s future meaning or appeal? The question assumes the presence of a fairly clear and resilient set of cultural values against which Halloween practices can be seen as reactions. But our culture''s familiarity with a common church year; common halloween customs and common rituals is costumes not what it once was. If our cultural consensus has been eroded by a rising tide of consumerism and diminished by the blurring of cultural identities, the holiday''s transgressive possibilities may soon be depleted.

Rogers sees the 1970s as a renaissance period for Halloween, chiefly as an outlet for the expression of "cultural inversion." In the final two chapters, he takes stock of Halloween at the end of the millennium, noting how some elements both of European and Latin American (El Dia de los Muertos) antecedents michael have been assimilated and reshaped by U.S. popular culture.An impulse to "kick over the traces," at least jackson occasionally, has marked every society and has manifested itself in everything from forbidden rites to seasonal experimentation with folk religion to transvestite parades. One of Rogers''s central points is that the fear and spookiness surrounding Halloween have always tended to engender both reverence halloween and revelry, and that the two responses are not easily separated. Writing of the late medieval English Hallowtide, he observes that "in this season of misrule, choristers became boy bishops and urban leaders were temporarily usurped from power by mock-mayors and sheriffs in a ritualized topsy-turvy world replete with "subtle disguises, masks, and mummeries.''"

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