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If applied to our own time and extended to vampire what we think our society might be like in a generation or so, what does this element of transgressiveness presage for Halloween''s future meaning or appeal? The question assumes the presence of a fairly clear and resilient set of cultural values against which Halloween practices can be seen as reactions. But our culture''s familiarity with halloween a common church year; common customs costumes and common rituals is not what it once was. If our cultural consensus has been eroded by a rising tide of consumerism and diminished by the blurring of cultural identities, the holiday''s transgressive possibilities gothic may soon be depleted.

If applied to our own time and extended to vampire what we think our society might be like in a generation or so, what does this element of transgressiveness presage for Halloween''s future meaning or appeal? The question assumes the presence of a fairly clear and resilient set of cultural values against which Halloween practices can be seen as reactions. But our culture''s familiarity with halloween a common church year; common customs costumes and common rituals is not what it once was. If our cultural consensus has been eroded by a rising tide of consumerism and diminished by the blurring of cultural identities, the holiday''s transgressive possibilities gothic may soon be depleted.

By the early 20th century, the standardization and commercialization of Halloween were well under way, with most of what was needed for celebrating the event provided by shops rather than by the improvisation of neighborhoods and communities. More recent decades have witnessed an apparent increase in disturbing manifestations of Halloween, including tampering with snacks, increasing levels of vandalism, and the discovery of the holiday''s entertainment potential vampire by Hollywood. (The rise of the horror-movie genre receives a full chapter.)

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