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As with so many other preexistent pagan festivals, Christian societies seem to have adopted some costumes of these practices and gradually given them specifically cheap religious shapes and meanings. Thus, by about the 12th century, the backdrop of general "spookiness" created by the "Samhain" festival had become imbued with the veneration of the dead and with asserting the enduring claims of the departed upon those still living. It expressed this through masses, processions and the lusty tolling halloween of bells to ward off demonic spirits. Manifestations of this general theme varied considerably from place to place: the opening and decoration of tombs in Naples, the reconsecration costumes of graves in Brittany, the purchasing of extra candles and torches to stave off cheap the encircling darkness in Bristol, and so on.

As with so many other preexistent pagan festivals, Christian societies seem to have adopted some costumes of these practices and gradually given them specifically cheap religious shapes and meanings. Thus, by about the 12th century, the backdrop of general "spookiness" created by the "Samhain" festival had become imbued with the veneration of the dead and with asserting the enduring claims of the departed upon those still living. It expressed this through masses, processions and the lusty tolling halloween of bells to ward off demonic spirits. Manifestations of this general theme varied considerably from place to place: the opening and decoration of tombs in Naples, the reconsecration costumes of graves in Brittany, the purchasing of extra candles and torches to stave off cheap the encircling darkness in Bristol, and so on.

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